the bronze age of comics

Star Wars #1 with a record sale of $26,000 and a minimum value of $450. The Spider-Man drug issues were at the forefront of the trend of "social relevance" with comic books noticeably handling real-life issues. Fury, Kid Colt Outlaw, Rawhide Kid, Two-Gun Kid, Outlaw Kid, Jungle Action, Special Marvel Edition (the early issues), War is Hell (the early issues), Creatures on the Loose, Monsters on the Prowl, and FEAR, to name just a few. Before then minority superheroes only appeared in other superhero’s titles. House of Secrets #92 with a record sale of $14,000 and a minimum value of $80. DC brought the Bronze Age to an end with Crisis on Infinite Earths published in April of 1985. The Bronze Age of comics is something completely different. Devoted fans of the era would disagree.

Writers and artists began getting a lot more credit for their creations even though they were still ceding copyrights to the companies for whom they worked. The Witching Hour, revised formats in House of Secrets, House of Mystery, The Unexpected). This change is sometimes credited to a new generation of artists influenced by the popularity of EC Comics in the 1950s. Required fields are marked *. Later in 1970, Jack Kirby left Marvel Comics, ending arguably the most important creative partnership of the Silver Age (with Stan Lee). At that time, any portrayal of drug use in comic books was banned outright by the Comics Code Authority, regardless of the context. When word got out that Superman's creators Jerry Siegel and Joe Shuster were living in poverty, artists such as Neal Adams, Jerry Robinson, and Bernie Wrightson helped organize fellow artists to pressure DC in rectifying them and other pioneers from the 1930s and 1940s. In 1968, Marvel graduated its double feature characters appearing in their anthologies to full-length stories in their own comic. The beginning of the Bronze Age coincided with the end of the careers of many of the veteran writers and artists of the time, or their promotion to management positions and retirement from regular writing or drawing, and their replacement with a younger generation of editors and creators, many of whom knew each other from their experiences in comic book fan conventions and publications. Without the steps taken during this period, comics may have kept the almost goofy nature that the storylines of the Silver Age focused on.

Most Valuable Comics of the Bronze Age. Marvel eventually gained 50% of the market and Stan Lee handed control of the comic division to Jim Shooter while he worked with their growing animation spin-offs. As more mature themes began to make their way into the storylines, some comics removed the stamp of the Comics Code altogether. The company followed this up in 1978 with the "DC Explosion" where the standard line of books increased in page count and 50 cent price. This website uses cookies to ensure you get the best experience on our website. The Bronze Age of Comic Books is an informal name for a period in the history of American superhero comic books usually said to run from 1970 to 1984.

As with the Silver Age, the end of the Bronze Age relates to a number of trends and events that happened at around the same time. If you've failed to receive subscription issues you've expected, click here to see if you're on the list of "address unknown" subscribers. This time frame also includes the company's release of the highly acclaimed works, Watchmen by Alan Moore and Dave Gibbons, and Batman: The Dark Knight Returns by Frank Miller, which redefined the superhero genre and inspired years of "grim and gritty" comic books. Marvel and DC worked out several crossover titles the first of which was Superman vs. The time period marked an era of maturity as comics were not simply for kids anymore. In the mid-'70s, DC launched numerous new titles such as Jack Kirby's New Gods and Steve Ditko's Shade the Changing Man.

Whatever Happened to the Man of Tomorrow?

Conan's success as a comic hero resulted in adaptations of other Howard characters: King Kull, Red Sonja, and Solomon Kane. Pencil Artists were allowed to keep their original artwork and sell it on the open market. Marvel tried to create new double feature anthologies such as Amazing Adventures and Astonishing Tales which did not last as double feature comic books. The Amazing Spider-Man. This was followed by a second Superman and Spider-Man, Batman vs. the Incredible Hulk and the X-Men vs The New Teen Titans.

Not all of those that defied the code were edgy comics. [citation needed]. One of the most apparent influences from this series was the creation of what became DC Comics' answer to X-Men's character-based storytelling style, The New Teen Titans by Marv Wolfman and George Pérez, which became a highly successful and influential property in its own right. Other well-known "relevant" comics include the "Demon in a Bottle", where Iron Man confronts his alcoholism, and the socially conscious stories written by Steve Gerber in such titles as Howard the Duck and Omega the Unknown. In 1978, Will Eisner published his "graphic novel" A Contract With God, an attempt to produce a long-format story outside the traditional comic book genres. Other titles began from characters originally found in 20th century pulp magazines or novels. However, there had been a gradual darkening of the tone of superhero comics for several years prior to "The Night Gwen Stacy Died", including the death of her father in 1970's Amazing Spider-Man #90 and the beginning of the Dennis O'Neil/Neal Adams tenure on Batman. As previously noted, 1971's revised Comics Code left the horror genre ripe for development and several supernaturally-themed series resulted, such as the popular The Tomb of Dracula, Ghost Rider and Swamp Thing. Winner of the 2003 Will Eisner Comics Industry Award

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